Open, bright, and inviting, the Lake-Randolph mezzanine is serving customers at the tail end of the morning rush hour on September 6, 2005, the day it reopened after renovation. Looking west, the Customer Assistant's booth is built into the wall on the right. For a larger view, click here. (Photo by Graham Garfield)

Lake (200N/1E-1W)....

Lake-Randolph (188N/1E-1W)

Randolph-Washington (128N/1E-1W)

Lake Street and State Street, Loop

Service Notes:

Red Line: State Street Subway

Accessible Station (via Randolph-Washington mezzanine)

Transfer Station (TransitCard transfer to State/Lake elevated)

Owl Service

Quick Facts:

Address:

188 N. State Street (Lake-Randolph mezzanine)

128 N. State Street (Randolph-Washington mezzanine)

Established:.

October 17, 1943 (as part of Washington)

June 2, 1996 (as temporary Washington-Lake station)

November 18, 1997 (as permanent Lake station)

Original Line: State Street Subway
Previous Names: Washington
(as part of that station), Lake-Washington (as temporarily separate station stop)
Skip-Stop Type: n/a

Rebuilt:.

1996 (Randolph-Washington mezzanine)

2004-05 (Lake-Randolph mezzanine and platform)

Status: In Use

History:

The Lake-Randolph mezzanine, looking southeast on October 1, 1971. For a larger view, click here. (Photo from the CTA Collection)

Lake station, which consists of the Lake-Randolph mezzanine and the north half of the Randolph-Washington mezzanine, as well as the portion of the continuous platform in between, actually began its life as the north half of Washington station, which still exists to the south.

Opened in 1943, the facilities were described at the time as being of a "modern design" (somewhere between Art Deco and Art Moderne). The mezzanine stations had smooth concrete floors and ceilings and gray structural glass walls. The fare control booths consisted of stone walls with a small ventilation grate near the bottom and glass windows on all four sides. Turnstiles were steel. The mezzanines had a number of passenger conveniences, including men's and women's public restrooms, lockers, drinking fountains, and pay phones inside "soundproof" booths (which actually did insulate the user from most outside noise, in spite of its seemingly open design).

The island platform stretched the length of downtown, 3,500 feet long -- in the Guinness Book of World Records as the longest subway platform in the world -- and had three separate stopping locations, the northern of which was for Washington (and the north half of this now being for Lake). As built, the platform had red no-slip concrete floors, curved concrete ceilings and I-beam steel columns. Fluorescent lights and illuminated station signs hanging from the ceilings originally finished the decoration.

Historically, Lake-Randolph mezzanine has been a location for "L"-subway transfers. There is, in fact, no physical connection between the subway and the Loop Elevated (although construction of one was proposed in the 1960s and subsequently shelved). As a result, "walking transfers" were issued that required passengers to leave the paid area after having a transfer stamped by a machine, exit the station, walk a half block to the other station, and present the time-stamped paper transfer to gain admittance to the other station's paid area without paying a second fare. Transfers between North-South subway trains and services on the Loop Elevated have been offered between State/Lake on the Loop and Lake-Randolph in the subway since the subway opened in 1943, except for a brief period between 1958 and 1969 when, with the opening of the new Congress Line and the inauguration of West-Northwest Route service, "L"-to-subway transfers were only allowed between Jackson/State and State/Van Buren.

The Lake-Randolph mezzanine was still largely as it was built -- its original wall cladding, concrete floors, granite column facings, and stone and glass agent's booth -- in this view looking east on September 3, 2001. The mezzanine, like most others downtown, used to be symmetrical and was originally twice as wide, with two stairs/escalators down to the platform. The north half was later sealed up and converted into Rail Janitors' offices, housed behind the white cinderblock wall seen on the left edge of this view. For a larger view, click here. (Photo by Graham Garfield)

Starting in late 1957, transfers were issued from a "transfer-issuing machine" (TIM), an experimental installation located on the platform near the stairs and escalator to the Lake-Randolph mezzanine. The experiment was short-lived, as "L"-subway transfers were discontinued to Lake-Randolph only six months later. In December 1971, the transfer-issuing booth, which had been installed on the platform, was moved to the Lake-Randolph mezzanine, which was the closest to the State/Lake elevated station, using a booth previously used for a third ticket agent.

Mayor Byrne announced the Subway Renovation Program on Friday, May 7, 1982, beginning a program that also included her inaugural ride on CTA's new 2600-series rapid transit cars, and a rededication of the 47th Street station. The program, encompassing both the State and Dearborn subways, included the continuous platforms and the 14 mezzanines along these platforms, including Lake-Randolph and Randolph-Washington. At the mezzanines, the existing facilities were to be stripped back to their basic structural shell and completely renovated with gray granite panels with stainless steel accents. New fare collection facilities, lighting, flooring, and column coverings were also to be installed. A uniform system of signage and maps would be provided and facilities for the enhancement of passenger security would be incorporated. Amenities such as telephones and concession areas would also have been provided as appropriate. At the platform level, new lighting, flooring, wall, ceiling, and column treatments would have been provided. Stairways and escalators from the platforms to the mezzanines would be replaced or renovated in kind. Signage, maps, benches, and concession facilities would be compatible with those developed for the mezzanine. The program was carried out at Randolph-Washington, but not at Lake-Randolph, the continuous platform, or any other State Street Subway stations.

In 1993, the CTA installed special turnstiles at State/Lake and at the Lake-Randolph mezzanine that dispensed transfers. Passengers transferring between the stations received a transfer upon leaving through the special turnstile and presented it to the station agent at the other station. In 1997, a new machine was installed in the paid area at State/Lake that issued free "L"-to-subway transfers, removing from service the special transfer-issuing turnstiles. On June 22, 1997, electronic transit card vending machines were activated at all Loop stations. Later that summer, the transit card AVMs were activated at all Red Line stations and shortly thereafter transfers were granted between the Loop and the Red Line subway by using transit cards only, which would not deduct the 30 cent transfer when used. This ended the need to issue special paper transfers.

 

Lake Becomes Independent

In 1996, the Randolph-Washington mezzanine became the only mezzanine to be renovated twice, this time in the colorful Art Deco-influenced style pioneered at Roosevelt/State in the mid-1990s. (For more information on the Randolph-Washington mezzanine, see the Washington station profile.) The closure of this mezzanine (which had hereunto served as the middle of three mezzanines of the four-block long Washington station) for renovation at 0600 hours on June 2, 1996, resulted the establishment of two separate station stops for customer convenience, since the two remaining entrances at either end of the two-block-long former Washington station were so far away from each other. The north half of the former Washington stop, served by the Lake-Randolph mezzanine, was referred to as "Washington-Lake", and was intended to serve Loop "L"-subway transfers. The south half of the former Washington stop, served by the Washington-Madison mezzanine, was referred to as "Washington-Madison", and was intended to serve transfers to/from the Blue Line. On July 21, the continuous platform was divided into two parts due to construction around the Randolph-Washington mezzanine, physically separating the two Washington stops.

On November 22, 1996, the north agent's booths in the Randolph-Washington mezzanine were reopened at 1000 hours, serving the Washington-Lake stop on a 24 hours a day/7 days a week basis. This reopening was short-lived, however, as it was re-closed at 1930 hours on February 7, 1997 to allow further work to progress.

On September 15, 1997, with most of the renovation work completed, the dual stops at Washington were eliminated and the station became unified again. (Some leftover signage at the south end of the platform calling the stop "Madison" remained for some time.) In a reversal of the previous pattern, southbound trains (to 95/Dan Ryan) stopped between the Lake-Randolph and Randolph-Washington mezzanines and northbound trains (to Howard) stopped between Randolph-Washington and Washington-Madison. But soon the wisdom of having two separate stops -- Washington station, as a single entity, had very heavy passenger loads -- was realized and the dual stopping pattern was re-instituted effective November 18, 1997 at 1000 hours.

The Lake station platform, still largely as it was built in 1943 except for new acoustical panels, signage, and tactile platform edging, is seen looking southeast on September 24, 2000. This photo was taken in the midst of a project to change the station's signage to reflect its status as the independent "Lake" station, resulting in sign identifying it as two different stations at the same time for a few days. For a larger view, click here. (Photo by Graham Garfield)

The north end is again considered a separate station, initially alternately referred to as "Lake-Washington" and "Lake", but now simply known as "Lake" station. Both northbound and southbound trains now stop between each set of mezzanines, with Randolph-Washington being in the unique position of actually feeding two different stations: Washington to the south and Lake to the north. The free transfer to the elevated at State/Lake is still provided from Lake-Randolph, now part of the new Lake station, with Washington only providing a free transfer to the Washington/Dearborn Blue Line subway station.

For almost three years, the Lake station continued to be signed for the old Washington station, essentially lacking any signage that identified it by its proper name. In late September 2000, Lake station received new station signage. CTA sheet metal crews and Operational Graphics Department personnel spent over 30 hours on three separate days installing the new signs during the hours when the subway was closed on early Sunday mornings for cleaning. The Lake symbol signs were all-new, paint-on-metal faces. The new name signs, however, were recycled from the old name signs, which are unusual because instead of individual metal sign plates, they are part of the blue sound-absorbing acoustical panels that line the tunnel walls along the continuous Loop subway platform. Thirty pieces of scotchcal vinyl were applied to each acoustical panel after each panel was first removed, scrubbed and power-washed, then dried. A new vinyl "sticker" that said "Lake" was then applied over the old "Washington" sign, leaving the directional arrows and address coordinates for each of the two exits still visible. (In the end, the signs resemble those at Clark/Lake on the Blue Line, except that the blue "tabs" at Clark/Lake denote the line color, but at Lake are left over from the defunct A/B skip-stop scheme; blue had symbolized an AB station, but they are now essentially meaningless.)

As of 1900 hours on Sunday night September 24th, all of the Lake station's new name signs on the outer tunnel walls were installed. About three-fourths of the new symbol signs were in, but along the southbound track down by Randolph-Washington there were still a lot of "Washington" symbol signs. The phasing in of the symbol signs allowed for some interesting days when on a single platform one would find signs identifying it as two different stations at the same time. The installation of the final set of symbol signs was completed later that week. The design of the new signs conformed to the CTA's Current Graphic Standards.

On June 6, 2005, the CTA launched a pilot program at eight rail stations (as well as on 10 of its wide-door Nova buses) to help speed boarding for customers by dedicating one turnstile as an express fare payment lane (called a "Go Lane") for those paying with either Chicago Card (regular or Plus) smartcard fare media. The dedicated lanes are identified by signs over the turnstile and on the floor in front of it. The eight selected rail stations in addition to the Randolph-Washington mezzanine were Howard, Chicago, 79th and 95th/Dan Ryan on the Red Line; Jefferson Park on the Blue Line; and both the Thompson Center and 203 N. LaSalle entrances to Clark/Lake, and the Randolph-Washington mezzanine of Washington/Dearborn downtown. CTA chose these stations because they are geographically balanced and serve a high volume of customers who transfer between bus and rail.

The pilot was conducted to determine if providing a dedicated turnstile at stations would help to speed boarding and, therefore, speed service. The pilot also provided an additional incentive for customers to switch to Chicago Card fare options. The faster and easier the boarding process, the more the transit experience is improved for existing customers. Faster boarding also helps to attract new customers.

CTA monitored the Go Lane boarding times during morning and evening rush periods to measure time saved during boarding, as well as the ratio of customers using electronic fare media compared to cash or transit cards. Customer reaction and ease of use were also evaluated as part of the pilot to determine whether use of Go Lanes should expand.

 

Lake Station Renovation

Although the Randolph-Washington mezzanine was renovated under the Chicago Department of Transportation's (CDOT's) subway renovation program in 1996 -- the City actually owns the subways and leases their operation to the CTA -- Lake-Randolph was not scheduled for improvement under that program. The continuous platform was scheduled to be remodeled, however, with an April 1999 completion date and a price tag of $15 million. Subsequently, the City's 2002-05 capital budget listed a station platform renovation between Randolph and Madison to be initiated in November 2001, with a completion date exactly two years later at as cost of $21 million.

As time passed, however, budgets and priorities changed and the renovation did not occur under the original timetable. Still, platform renovation plans were drawn up by CDOT that included new flooring, dramatically revamped lighting and signage schemes, new platform furniture and fixtures, and new outer wall coverings. The Lake-Randolph mezzanine was also brought under the renovation program.

Finally, the renovation of Lake station was announced at a press conference on Tuesday, May 18, 2004. The work included renovation of the Lake-Randolph mezzanine and Lake station portion of the continuous platform. The renovation plan called for new ceramic tile on the walls and ceilings, granite floors, better lighting, new escalators, a new public address system and new security cameras. When finished, the station had the neo-Art Deco light blue and red ceramic cityscape motif similar to the recently-renovated Chicago, Jackson and Roosevelt subway stations.

The mezzanine was expanded by 1,500 feet, allowing for more turnstiles to be installed. Under the plans, the north stairs from the mezzanine to the platform -- previously closed and walled off, along with the north half of the mezzanine, to create office space for the Rail Janitors -- was reopened, though only for exiting from the platform. Entry to the platform is still through the south stairs and escalator. One new escalator was installed between the platform and mezzanine level, while the two escalators between the mezzanine and street level, which are newer, were refurbished. Following the project, both operate 25 percent faster than the old escalators. No elevator was installed as part of the project, since the Randolph-Washington mezzanine is already ADA-complaint and makes Lake accessible, and ADA-accessible transfers between the Orange and Green lines and the State Street Subway were achieved with the opening of the Roosevelt Transfer Tunnel in November 2002.

So that crews could work on renovating the mezzanine while keeping it open for exiting, all equipment like turnstiles and the agents booth were removed and a plywood wall erected to divide the mezzanine in half. The south half, seen here on February 15, 2005, was kept open for exiting while the north half was closed for renovation. Later, crews would switch sides to finish work. For a larger view, click here. (Photo by Graham Garfield)

On the platform, the renovated environment followed the same aesthetic at the recently-completed Jackson project. The platform work included new granite floors, improved signage, brighter energy-efficient lighting, new acoustical panels to absorb more subway noise with directional line maps, decorative information kiosks and benches, wall tiles showing a skyline of downtown buildings, and decorative ceiling tiles with the letter "L" repeated along the edges.

Preliminary work began the week of May 17, but the main effort kicked off in August. Beginning Friday, August 27, 2004, the Lake-Randolph mezzanine temporarily became an exit only, as work continued on the subway station renovation. Lake station remained open through the project and riders were able to exit through either mezzanine. But, to enter the station from State Street, riders had to go through the Randolph-Washington mezzanine until September 2005.

Renovation work at the Lake-Randolph subway mezzanine continued during Autumn 2004. Demolition of existing walls and finishes in the mezzanine continued. The framing of the new north stair from the platform to the mezzanine, closed and partially eliminated when offices were built in the north half of the mezzanine, was laid out and removal of the two existing escalators between the mezzanine and street-level was completed.

In late 2004, work moved to the platform as well. In December, the crews had removed the blue acoustical panels that lined the tunnel walls of the subway station. This included the soundproofing panels and advertising panels, but not the station name sign panels. These panels were left in place for the time being, perhaps a result of lessons learned from the Jackson renovation when the station had no signage identifying it for a while. To accommodate the ability for CDOT contractors and personnel to dig up the existing concrete flooring and do other heavy work, in early 2005 the platform (and thus the station stop) was closed entirely for several hours at a time during off-peak periods to allow unobstructed access. Lake station temporarily closed from 9pm until 5am Monday through Thursday nights, and all weekend from 9pm Fridays through 5am Mondays beginning Friday, February 11, 2005, continuing through late Summer 2005. During these hours trains did not stop at this station. Customers could use the adjacent Washington station just a few hundred feet to the south.

Next, workers were prepping the ceiling for its new tile finishes. The ceilings at the 1940s/50s subway stations have long had problems with water leaking through cracks and seams, creating unsightly rust marks and calcium deposits on the arched ceiling. CDOT's solution to this was to install metal panels on the arched ceiling that would act as a barrier between the original concrete finish and the new tile panels. Sealed with epoxy caulk, at best these panels will actually prevent the water from seeping in, and at worst they will simply channel it along the ceiling and down the sides, away from the tile ceiling so that it doesn't leak through and ruin the aesthetics or integrity of the tile panels. To install the metal sheeting, the fluorescent lights had to be removed, since the panels cover the entire arch of the ceiling. In their place, a string of incandescent lights were hung to provide illumination. By mid-February 2005, the panels were installed along the entirety of the platform.

Looking south on February 15, 2005, the progress of the contractors on the Lake platform is evident. The metal plating has been applied on the center vault for the length of the station and application of the new tile panels has been completed in the north third of the station. For a larger view, click here. (Photo by Graham Garfield)

Shortly after the installation of the metal sheeting was complete, workers began installing the new tile ceiling panels. The tile pattern on the arched ceiling, identical to that at Jackson, is made up of thousands of small square colored tiles, but rather than painstakingly affix each individual tile to the ceiling one by one, the tiles were actually pre-assembled in the finished pattern on large curved panels, which were then lifted into place and held up on metal tracks. Assembled in the right order, the panels create the tile pattern design. The tilework in the central vault has a simple white background (ideal for reflecting light and increasing illumination) with red squares interspersed at regular intervals, spaced evenly at six points across the width of the arch and each panel having two rows (combining with the other panels to make six rows running up and down the Lake platform). At the bottom of each side of the arch, right above what would be the tops of the light troughs, are two rows of decorative patterning. Each identical stripe, five tiles wide, consists of solid rows of yellow tiles on the top, middle, and bottom. At regular intervals (two per panel, separated by two to three white tiles) the second and fourth rows are light blue tiles, which form the corner of a square, each of whose center is a single red tile interrupting the middle yellow band. These stripes continue along the length of the tilework, interrupted only by the letter "L" executed in red tile and repeated a regular intervals.

In mid-February 2005, the panels began to be installed at the Lake-Randolph end of the platform. Workers continued installing the panels moving southward down the platform toward Randolph-Washington, the sections lifted into place and affixed along metal tracks bolted to the arch by construction personnel working on scaffolds.

By late February, crews had also made significant progress in the north half of the Lake-Randolph mezzanine and in applying the new flooring and tilework on the platform walls that surround the north stairs up to that mezzanine. The tiling matches that in place at Jackson and Randolph-Washington on the platforms, replacing their station names printed on the tile for "Lake", of course. Crews had also begun removing the white paint from the platform columns in anticipation of prepping them to be repainted.

New parts for the mezzanine-to-street escalators are being lowered into the Lake-Randolph mezzanine late in the evening on June 24, 2005. For a larger view, click here. (Photo by Graham Garfield)

At 0500 hours on Monday, March 14, 2005, the south stairway and escalator from the platform to the Lake-Randolph mezzanine was closed and egress was changed to the newly renovated north exit-only stairway 180 feet north of the south stairs. The mezzanine was rearranged, with passengers now passing through the north half, whose new granite flooring, ceramic wall tiles, and Customer Assistant booth was in place. A plywood wall directed customers to the east through temporary exit rotogates then through the renovated corridor to the northeast stairs to the street. CDOT's contractor then began installation of a new escalator and renovation of the south stairway and stairwell walls and ceiling, as well as completing renovations in the south half of the mezzanine.

With the platform available to contractors for long stretches during off-peak hours since February 2005, work there quickly accelerated. By early May 2005, all of the new granite flooring, tiling on the center ceiling vault, and new stainless steel light trays were installed. As at Jackson, the light trays not only shine light directly down from fluorescent fixtures, but also wrap upwards around the colonnade soffit and include lights shining outward toward the tracks and tunnels walls and in toward the platform with backlit signage including station name signs, exit information, and directional map wayfinding diagrams. At 0900 hours on Monday, May 9, 2005, trains resumed making stops at the Lake at all scheduled times, ending the contractor's unobstructed access to the station during owl and weekend hours. By the end of May, the tunnel walls had received a new coat of white paint and the station symbol signs had been hung on the newly-painted platform columns.

Work continued during Summer 2005, as the contractor concentrated primarily on the remainder of the mezzanine and the south stairs and escalator between the mezzanine and platform. Work included electrical, mechanical, and communications work, as well as installation of new flooring, wall tiling, and ceiling replacement. On Saturday, June 11, 2005, a charter train rented by Cone Elevator Company delivered a new escalator and related parts to the Lake-Randolph facility. Dispatched from Lower 63rd Yard, the work train of eight 2400-series work motors and flatcars S-601 and S-614 made several deliveries of materials, parts and equipment to the contractors so that work could continue on installation of the new amenities.

Work also continued on the platform. By mid-July 2005, the lower two rows of new square brown acoustical panels were up along the southbound track tunnel wall, and a week later had been installed along both sides of the tunnel opposite the platform for the entire station length. The top header row of panels was installed in mid-August. The old station name sign panels were left in place between the new panels for the time being.

The renovated Lake Red Line subway station reopened at 5am Tuesday, September 6, 2005. Prior to the reopening, the platform and station mezzanine were closed from 9pm Friday, September 2 through the 5am Tuesday reopening to allow for final preparations and removal of barricades. During these hours trains did not stop at Lake and customers were asked to use the adjacent subway station at Washington.

In late September 2005, new stainless steel information panels were unveiled in the mezzanine and on the platform. The one in the mezzanine is inset in the north wall, while the platform kiosk is double-sided and supported by stainless steel posts on granite bases. In October 2005, crews installed flat-panel displays in the kiosks, which provide news and information from the CTA . The platform kiosk was covered by a plywood enclosure again shortly after while additional work was done. The kiosk was finally unveiled and activated in late December 2005.

The City of Chicago, with the help of federal funds, is financing the work and undertaking the renovation. Work on the $15 million project is scheduled to be complete by early 2006. Funding is provided through the Federal Transit Administration (approximately 80 percent) and Illinois FIRST (about 20 percent).

 

Changes for Block 37 Construction

The upper-level transfer tunnel -- now part of the downtown Pedway system -- dates to the opening of the State Street Subway in 1943. The wall tile in this November 14, 2005 view is original, but the flooring and stainless steel light trays are from a later remodeling. The tunnel closed temporarily two days after this photo for reconstruction as part of Block 37. For a larger view, click here. (Photo by Graham Garfield)

On Wednesday, November 16, 2005, the upper-level transfer tunnel between the Randolph-Washington mezzanines on the State Street Subway (Red Line) and Milwaukee-Dearborn Subway (Blue Line) closed for the construction of the Block 37 development on the land above it. The tunnel, which was a short but heavily-used section of downtown Chicago's underground pedestrian tunnel (aka 'the Pedway'), needed to be closed because excavation for the Block 37 development's foundation and lower levels required its demolition.

The Block 37 development was planned to feature a mix of uses including shops, restaurants, offices, a hotel and a residential tower. In addition, the project was to include a new subway tunnel running diagonally across the site on a northwest-southeast angle, connecting the Red and Blue line subways, and a basement-level station that was planned to ultimately serve a CTA airport express train service to O'Hare and Midway airports. When the Block 37 development was completed, the Pedway tunnel was to be integrated into the lower level of the building. The old straight, narrow, low-ceiling tunnel would be replaced by a wider, more open walkway with retail stores and an entrance to the Block 37 CTA station. However, in 2008, the CTA Airport Express "superstation" was mothballed due to cost overruns, lack of capital funds to make the other infrastructure improvements needed to make an airport express service feasible, and limited interest from private operators to run the express service, as was desired by the CTA.

The new Pedway under Block 37 opened after rush hour on Friday evening, November 20, 2009. At the time, the developer was still putting finishing touches on the mall and none of the Pedway-level stores were open. However, some of the stores opened shortly after, along with the connection to the street-level arcade of stores. The new Pedway, rather than being its own tunnel, was fully integrated into the lower level of the Block 37 mall, with the middle of the Pedway being an atrium open to the floors above and allowing natural light into the walkway.

The Lake station portion of the continuous platform was nearing completion in this September 6, 2005 view looking south. Only modest work -- new station name signs and more red banding, plus advertising and map frames on the acoustical panels, among other punchlist items -- needed to be completed. The platform received new granite flooring, ceiling tiles, lighting, and signage in the renovation. For a larger view, click here. (Photo by Graham Garfield)

 


 

Original Lake (1943-2004) | Renovated Lake station (2005-present)

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The remodeled, Art Deco-influenced mezzanine at Randolph-Washington, looking west from the doorway to the Pedway and Marshall Fields on June 8, 2001. The turnstiles on the right (under the sign reading 'Trains to 95/Dan Ryan') lead down to the Lake station, while the turnstiles on the left (obstructed by the columns) lead to the Washington station. (Photo by Graham Garfield)

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When the Lake station was re-signed to reflect its separation from neighboring Washington, the station name signs were recycled from the existing signs, which are part of the blue sound-absorbing acoustical panels that line the tunnel walls along the continuous Loop subway platform. Thirty pieces of scotchcal vinyl that said "Lake" were applied to each acoustical panel over the old "Washington" lettering, leaving the directional arrows and address coordinates for each of the two exits still visible. A newly-applied vinyl "sticker" is seen here on September 24, 2000. (Photo by Graham Garfield)

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A southbound Red Line train, trailed by rehabbed 2600-series car 2646, stops at the Lake station on Sunday September 10, 2000 (Photo by Ernie Baudler)

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A newly rehabbed 2600-series stops at Lake in the State Street Subway, heading northbound on the Red Line on Sunday September 10, 2000. (Photo by Ernie Baudler)

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On the east side of the Randolph-Washington mezzanine is the entrance is Marshall Field's and the Pedway. Originally, this was a direct entrance to Field's only, similar to other department stores' direct entrances from the subway. Later, the Pedway was extended through here and connected in east of Field's, which already had basement-level corridors. The entrance is seen here on December 18, 2003. (Photo by Graham Garfield)

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On the west side of the Randolph-Washington mezzanine is the entrance to the upper-level transfer tunnel between the Randolph-Washington mezzanines on the Red and Blue line subways, also part of the downtown Pedway system. This November 14, 2005 view looking west shows where the 1996-97 mezzanine remodeling ended and where the original 1943 tiling in the tunnel began. (Photo by Graham Garfield)


Renovated Lake station

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Looking south down the platform on February 15, 2005, the metal panels have been applied on the length arched ceiling to act as a barrier between the original concrete finish and the new tile panels in case of water seepage. Temporarily, a string of incandescent lights were hung to provide illumination. (Photo by Graham Garfield)

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In this May 12, 2005 view looking north from the bottom of the north stairs from the Randolph-Washington mezzanine, work is well underway on the Lake platform. The new granite flooring and ceiling tile is in place, but the work on the tunnel walls is just beginning. The southbound tunnel wall (left) has been primed, but the northbound tunnel has only just had its old acoustical panels removed. The elevator and its tile cladding was actually installed in 1996 under a previous project, although its design does match Lake's aesthetic design. (Photo by Graham Garfield)

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The Lake platform is largely competed in this September 6, 2005 view looking north at the foot of the stairs and escalator up to the Lake-Randolph mezzanine. The escalator is completely new and has a much longer approach than the 1940s original one, following modern escalator design standards. The choice of solid yellow tiling in the vault fascia above the stairs/escalator is an aesthetic choice unique to Lake station. (Photo by Graham Garfield)

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The Lake-Randolph station is seen looking east on September 6, 2005, the day it reopened after renovation. The center area between the turnstile banks with the stainless steel barrier where the CTA employees are standing is where the original 1940s agent's booth was. In the new design, a round Customer Assistant's booth is integrated into the wall on the left. An north auxiliary rotogate exit from the platform is next to it, off camera on the left. Although more of the original mezzanine that had been partitioned off into Janitor's Offices has been reopened in the renovation and the mezzanine is much more open and spacious, some of the originally-open floor space from the 1940s layout has still been taken over for auxiliary rooms. (Photo by Graham Garfield)